Near the Wall of a House — by Yehuda Amichai

•07/01/2010 • Leave a Comment

Near the wall of a house painted
to look like stone,
I saw visions of God.

A sleepless night that gives others a headache
gave me flowers
opening beautifully inside my brain.

And he who was lost like a dog
will be found like a human being
and brought back home again.

Love is not the last room: there are others
after it, the whole length of the corridor
that has no end.

— Yehuda Amichai

from Selected Poetry of Yehuda Amichai
Edited and translated by Chana Bloch and Stephen Mitchell (1986)

Expect Nothing — by Alice Walker

•06/30/2010 • Leave a Comment

Expect nothing. Live frugally
On surprise.
become a stranger
To need of pity
Or, if compassion be freely
Given out
Take only enough
Stop short of urge to plead
Then purge away the need.

Wish for nothing larger
Than your own small heart
Or greater than a star;
Tame wild disappointment
With caress unmoved and cold
Make of it a parka
For your soul.

Discover the reason why
So tiny human midget
Exists at all
So scared unwise
But expect nothing. Live frugally
On surprise.

— Alice Walker

Sorrows — by Lucille Clifton

•06/28/2010 • Leave a Comment

who would believe them winged
who would believe they could be

beautiful who would believe
they could fall so in love with mortals

that they would attach themselves
as scars attach and ride the skin

sometimes we hear them in our dreams
rattling their skulls clicking their bony fingers

envying our crackling hair
our spice filled flesh

they have heard me beseeching
as I whispered into my own

cupped hands enough not me again
enough but who can distinguish

one human voice
amid such choruses of desire

— Lucille Clifton (1936-2010)

from Poetry

Learning the Trees — by Howard Nemerov

•06/26/2010 • Leave a Comment

Before you can learn the trees, you have to learn
The language of the trees. That’s done indoors,
Out of a book, which now you think of it
Is one of the transformations of a tree.

The words themselves are a delight to learn,
You might be in a foreign land of terms
Like samara, capsule, drupe, legume and pome,
Where bark is papery, plated, warty or smooth.

But best of all are the words that shape the leaves—
Orbicular, cordate, cleft and reniform—
And their venation—palmate and parallel—
And tips—acute, truncate, auriculate.

Sufficiently provided, you may now
Go forth to the forests and the shady streets
To see how the chaos of experience
Answers to catalogue and category.

Confusedly. The leaves of a single tree
May differ among themselves more than they do
From other species, so you have to find,
All blandly says the book, “an average leaf.”

Example, the catalpa in the book
Sprays out its leaves in whorls of three
Around the stem; the one in front of you
But rarely does, or somewhat, or almost;

Maybe it’s not catalpa? Dreadful doubt.
It may be weeks before you see an elm
Fanlike in form, a spruce that pyramids,
A sweetgum spiring up in steeple shape.

Still, pedetemtim as Lucretius says,
Little by little, you do start to learn;
And learn as well, maybe, what language does
And how it does it, cutting across the world

Not always at the joints, competing with
Experience while cooperating with
Experience, and keeping an obstinate
Intransigence, uncanny, of its own.

Think finally about the secret will
Pretending obedience to Nature, but
Invidiously distinguishing everywhere,
Dividing up the world to conquer it,

And think also how funny knowledge is:
You may succeed in learning many trees
And calling off their names as you go by,
But their comprehensive silence stays the same.

— Howard Nemerov

The Summer Day — by Mary Oliver

•06/25/2010 • Leave a Comment

Who made the world?
Who made the swan, and the black bear?
Who made the grasshopper?
This grasshopper, I mean—
the one who has flung herself out of the grass,
the one who is eating sugar out of my hand,
who is moving her jaws back and forth instead of up and down—
who is gazing around with her enormous and complicated eyes.
Now she lifts her pale forearms and thoroughly washes her face.
Now she snaps her wings open, and floats away.
I don’t know exactly what a prayer is.
I do know how to pay attention, how to fall down
into the grass, how to kneel down in the grass,
how to be idle and blessed, how to stroll through the fields,
which is what I have been doing all day.
Tell me, what else should I have done?
Doesn’t everything die at last, and too soon?
Tell me, what is it you plan to do
with your one wild and precious life?

— Mary Oliver

A Significant Poem — by Sean Singer

•06/23/2010 • 1 Comment

Let me see what is in the cold harp
Of your heart, and its red bracelet.

If there is a compass turning
Or an arrow points its wheel
To your cherry motion,
There must be a sea of sad things,
Of a basin tasting your skin,
The light movements of anemones
And palpable consequences.

And the motions are dark as a salesgirl,
And their aromatic mocha,

Instead of tender words,
Which are thin paper lanterns with animal candles.

— Sean Singer

One of the best living poets today.

from La Petite Zine

A Clear Midnight — by Walt Whitman

•06/22/2010 • Leave a Comment

This is thy hour O Soul, thy free flight into the wordless,
Away from books, away from art, the day erased, the lesson done,
Thee fully forth emerging, silent, gazing, pondering the themes thou lovest best,
Night, sleep, death and the stars.

— Walt Whitman (1819-1892)

http://wp.me/pJ2K1-hT

A Color of the Sky — by Tony Hoagland

•06/21/2010 • Leave a Comment

Windy today and I feel less than brilliant,
driving over the hills from work.
There are the dark parts on the road
    when you pass through clumps of wood
and the bright spots where you have a view of the ocean,
but that doesn’t make the road an allegory.

I should call Marie and apologize
for being so boring at dinner last night,
but can I really promise not to be that way again?
And anyway, I’d rather watch the trees, tossing
in what certainly looks like sexual arousal.

Otherwise it’s spring, and everything looks frail;
the sky is baby blue, and the just-unfurling leaves
are full of infant chlorophyll,
the very tint of inexperience.

Last summer’s song is making a comeback on the radio,
and on the highway overpass,
the only metaphysical vandal in America has written
MEMORY LOVES TIME
in big black spraypaint letters,

which makes us wonder if Time loves Memory back.

Last night I dreamed of X again.
She’s like a stain on my subconscious sheets.
Years ago she penetrated me
but though I scrubbed and scrubbed and scrubbed,
I never got her out,
but now I’m glad.

What I thought was an end turned out to be a middle.
What I thought was a brick wall turned out to be a tunnel.
What I thought was an injustice
turned out to be a color of the sky.

Outside the youth center, between the liquor store
and the police station,
a little dogwood tree is losing its mind;

overflowing with blossomfoam,
like a sudsy mug of beer;
like a bride ripping off her clothes,

dropping snow white petals to the ground in clouds,

so Nature’s wastefulness seems quietly obscene.
It’s been doing that all week:
making beauty,
and throwing it away,
and making more.

— Tony Hoagland

 from What Narcissism Means to Me

http://wp.me/pJ2K1-hP

In Praise of Pain — by Heather McHugh

•06/19/2010 • 1 Comment

A brilliance takes up residence in flaws—
a brilliance all the unchipped faces of design
refuse. The wine collects its starlets
at a lip’s fault, sunlight where the nicked
glass angles, and affection where the eye
is least correctable, where arrows of
unquivered light are lodged, where someone
else’s eyes have come to be concerned.

For beauty’s sake, assault and drive and burn
the devil from the simply perfect sun.
Demand a birthmark on the skin of love,
a tremble in the touch, in come a cry,
and let the silverware of nights be flecked,
the moon pocked to distribute more or less
indwelling alloys of its dim and shine
by nip and tuck, by chance’s dance of laws.

The brightness drawn and quartered on a sheet,
the moment cracked upon a bed, will last
as if you soldered them with moon and flux.
And break the bottle of the eye to see
what lights are spun of accident and glass.

— by Heather McHugh

from Hinge & Sign: Poems, 1968-1993.

http://wp.me/pJ2K1-hI

A Book on a Shelf — by Roger Mitchell

•06/18/2010 • Leave a Comment

A history of some sort, one that made us,
a war and what the war had meant, or since
meaning eludes war, what it did to the look
of the trees and the sides of the buildings,
most of which survived, only to be torn down
later to widen the street or put up a new
office complex. There it was on the shelf.
I was there only a moment, but still,
I wanted to know what happened to the man
in the photograph wearing a flat cap
standing outside the important building
cheering. He was there. He was part of that
moment, one of the first into the streets
when the turn of events came, the declaration
or pronouncement, words that would change
the look of everything he smiled on, words
that may have cost him his life. Here it is
in a book I found on a shelf. The person
who lives here bought it at a library
stock reduction sale. No one had read it.
It looked interesting thirty years ago.
It was practically new, the back uncracked.
But the person did what those before her had,
put it up on a shelf and never found
a way back to it. The history sits there,
unread, unbelievable, somebody else’s.
Even I have only looked at the pictures,
at the man smiling between the cold pages.
Maybe ending the world as he knew it
was ok. Maybe it was the only way.
Maybe the world has to come to an end
in the first place to be the world. And the man?
He has to smile, though he knows so little
of what’s coming, even looking right at it.
As we do, who still haven’t read the book.

— Roger Mitchell